ARC Review: City of Miracles

CityOfMiracles

From Goodreads:

Revenge. It’s something Sigrud je Harkvaldsson is very, very good at. Maybe the only thing.

So when he learns that his oldest friend and ally, former Prime Minister Shara Komayd, has been assassinated, he knows exactly what to do and that no mortal force can stop him from meting out the suffering Shara’s killers deserve.

Yet as Sigrud pursues his quarry with his customary terrifying efficiency, he begins to fear that this battle is an unwinnable one. Because discovering the truth behind Shara’s death will require him to take up arms in a secret, decades-long war, face down an angry young god, and unravel the last mysteries of Bulikov, the city of miracles itself. And perhaps most daunting of all finally face the truth about his own cursed existence.

Disclaimer: I was provided with a review copy of this book by the publisher.

If you’ve followed me for a while, you know that I’m a huge fan of the first two books in the Divine Cities series, City of Stairs, and City of Blades. While all of the books in the series are stand-alone, and can be read separately, wrapping up their own plots in a way that is satisfying and feels complete, they also definitely gain something by being read in sequence, City of Miracles more so than City of Blades. So while you certainly can read the book without picking up the prequels, I would definitely recommend checking them out first — and they’re both awesome.

Both of the previous books are largely action/adventure novels with a large mystery plot, and much of City of Miracles follows the same formulas. However, it’s also a much deeper book. It explores a themes of power, love, family, purpose, and godhood, and had a much more intense emotional impact on me than either of the previous books in the series. I’m not ashamed to admit that I finished the book and had to wipe away a few tears. It was beautiful.

If you’ve read the previous two books (and if you haven’t, why haven’t you?) then you know who Sigrud is. The good news is, as the first book was Shara’s, and the second was Mulaghesh’s, this book is Sigrud’s book. The bad news is that it’s the last book in the series, so we won’t be getting any more.

But whatever. WE GET A WHOLE BOOK OF SIGRUD. I legitimately squeaked in happiness when I found out that this would be his book, and I’ve been eagerly awaiting it ever since. Sigrud is the same awesome character you know and love, and getting the entire story from his viewpoint is mostly a stream of awesome. It’s also an opportunity to dive deeper into who he his, and why, and there were plenty of character revelations about his past that I did not predict, but loved.

In addition to Sigrud, we follow Tatanya and Ivanya, two new characters. Both are incredibly well fleshed out and have very intriguing backstories and journeys throughout the novel, and I loved meeting and getting to know both of them. Bennet has continued his tradition of strong female characters who aren’t just your typical ‘badass woman’, but instead are competent at what they do, important, and feel incredibly real. Like, you know, all characters should.

The plot itself is bigger and grander than either previous novel, if that’s possible. I don’t want to spoil any of it, so I’ll simply say that if you want overwhelming adventure, amazing power, and the potential end of the world thrown in for good measure, you’ll find all of it here, in abundance.

I know I’m flailing a bit here, but that’s just because the book was so good. I can’t even describe it all at once. It’s an action adventure mystery love story world-ending character study of doom and awesome and I’m sure I’ve left out a few subplots. Seriously, if you liked the first two books in the series, at all, you have to read City of Miracles. It was so so so good. Five of five stars, and my unconditional recommendation.

Robert Jackson Bennett’s Website.

City of Miracles on Goodreads.

ARC Review: The Guns Above

TheGunsAbove

From Goodreads:

The nation of Garnia has been at war for as long as Auxiliary Lieutenant Josette Dupris can remember – this time against neighboring Vinzhalia. Garnia’s Air Signal Corp stands out as the favored martial child of the King. But though it’s co-ed, women on-board are only allowed “auxiliary” crew positions and are banned from combat. In extenuating circumstances, Josette saves her airship in the heat of battle. She is rewarded with the Mistral, becoming Garnia’s first female captain.

She wants the job – just not the political flak attached. On top of patrolling the front lines, she must also contend with a crew who doubts her expertise, a new airship that is an untested deathtrap, and the foppish aristocrat Lord Bernat – a gambler and shameless flirt with the military know-how of a thimble. He’s also been assigned to her ship to catalog her every moment of weakness and indecision. When the Vins make an unprecedented military move that could turn the tide of the war, can Josette deal with Bernat, rally her crew, and survive long enough to prove herself to the top brass?

Disclaimer: I received a copy of this book for review. This has in no way affected my review of the book.

I haven’t read many steampunk/airship novels, but after this one, I might have to check out some more. The setting and worldbuilding was really well done, and I loved the attention to detail. The world felt like a real character, and an incredibly important element in the plot of the novel, and I enjoy books like that. I will note that reading about airships breaking in half while 10,000 feet in the air over the ocean on a several hour flight might make some of the elements of the story more nervewracking, but most of you will be reading it in more normal circumstances, I expect.

However much I liked the worldbuilding, though, I found the characters, and the plot they drove, largely unbelievable, cliche, and at times annoying. The main character is a “Badass Woman” who is, perhaps, the only competent character in the entire book. Pushing against the bounds of rampant sexism, she must overcome them to be the first female airship captain. At times, Dupris’s character definitely felt forced, in that she was so overly competent compared to everyone else, and could magically solve anything and everything and show those men who was best.

Her main antagonist, Bernat, was an utter fop to a degree that I more or less refuse to believe is actually possible for a human to actually be. But, of course, he’s handsome, has a heart of gold, and will make a miraculous turnaround into a good guy within an unbelievably short period of time. I had to stop myself from continually rolling my eyes while he was onscreen, or we were in his viewpoint.

In addition, the man who is supposed to be running the war, Lord Fieren, was also incompetent, absolutely clueless about political machinations, and I can’t believe that he could rise to such a high rank or hold his country’s army together and kept them in the war for so long with his idiocy.

Ignoring the characters, the war, however, was fairly well done. The characters have several debates about why the war is being fought, and while no conclusion is ever reached, it raises a lot of questions about wars, fighting, and whether it’s really worth it. In particular, there’s a scene where the main characters must ruin the livelihoods of a village of their own citizens in order to impede the oncoming army, and the characters have some very good debates about whether or not this is necessary, and they never really agree in the end, leaving the reader to form their own opinions on this difficult question.

The battle scenes produced by the war, in contrast, are straightforward. The prose and writing here made them quite easy to visualize, and I really enjoyed reading them. They felt highly realistic, gritty, and had a lot of intense moments. They were easily my favorite part of the book, and were an excellent way of showing off the worldbuilding and character competencies, and while I felt many of the elements of the plots felt contrived and forced, the battles were all believable.

However, in many of the moments when we were not in battles, the prose became so heavy-handed and on the nose that I actually did roll my eyes. So many moments where a character thinks something, and immediately, someone else says it or it happens, or, particularly in the scenes with the general and his echo-box aide, a character says something so utterly transparent that nobody could not see through it, and it passes unremarked.

It is a minor quibble compared to my larger praises and issues for the book, but the characters here definitely fell into the larger than life trope of being able to recover from anything, and be back on their feet almost immediately. When we first meet our protagonist, she’s injured after a battle, can barely stay conscious, and can’t even stand up. Within a few days, she manages to get back on her feet, take command of her own airship, and fight in a battle without acting any the worse from the wear. I really wish that books without magical healing would have more impact on their characters from the injuries that they sustain, and here, it really stood out to me that this did not happen.

However, I will admit that having invincible mega-healing characters allowed the author to skip over many parts that could have been boring, go right on to all the awesome stuff, and keep the pacing solid throughout the book. I read it all in a single day, and while I paused some at the beginning, by the time I really got into it, I was having trouble putting it down, and there were hardly any boring moments.

In summary, despite some horribly unbelievable characters, on the nose prose, and a glossing over of character injuries and battle stresses, I enjoyed the world and the war portrayed in the book, and found it to be a good, well-paced read. I give it three of five stars.

ARC Review: Skullsworn

 

Note: I can’t post a Richard Anderson cover without gushing about it, because THEY ARE ALL SO GREAT. Check out the info in the cover reveal, because it has some cool details and other art. I am also in love with the UK cover here (and have the UK hardcover just for that), and the cover reveal for that one is here.

From Goodreads:

Pyrre Lakatur doesn’t like the word skullsworn. It fails to capture the faith and grace, the peace and beauty of her devotion to the God of Death. She is not, to her mind, an assassin, not a murderer–she is a priestess. At least, she will be a priestess if she manages to pass her final trial.

The problem isn’t the killing. Pyrre has been killing and training to kill, studying with some of the most deadly men and women in the world, since she was eight. The problem, strangely, is love. To pass her Trial, Pyrre has ten days to kill the ten people enumerated in an ancient song, including “the one you love / who will not come again.”

Pyrre is not sure she’s ever been in love. If she were a member of a different religious order, a less devoted, disciplined order, she might cheat. The Priests of Ananshael, however, don’t look kindly on cheaters. If Pyrre fails to find someone to love, or fails to kill that someone, they will give her to the god.

Pyrre’s not afraid to die, but she hates to quit, hates to fail, and so, with a month before her trial begins, she returns to the city of her birth, the place where she long ago offered an abusive father to the god and abandoned a battered brother—in the hope of finding love…and ending it on the edge of her sword.

I should note that, if this review makes you really want to pick the book up, you can read the first handful of chapters here. The prologue sets up the entire book, so if you want an idea what it’s about, and you don’t like reading summaries, I suggest you go read it now, before reading the rest of this review.

Because Skullsworn takes place chronologically before the Chronicles of the Unhewn Throne trilogy, you can read it before or after. I feel like it’s best read after, because some of the reveals near the end of the book don’t pack the same punch without some of the knowledge you get from the main trilogy. I may be biased in this recommendation, however, as I almost always recommend reading books in publication order. Regardless, if you haven’t read the main trilogy, and are looking for a shorter, less intimidating entry point into the world of the Chronicle of the Unhewn Throne, Skullsworn is a great place to start.

If I were to actually make a complaint about the book, it’s that, in comparison to the previous books that Staveley has written, the tension is a little lower. I think this is because there was only one main character, and we already know what’s going to happen to her. In addition, she doesn’t care that much if she dies, since she’s already a devotee of the death god. Also, there are no empire-shaking plots going on here, merely personal ones, throughout most of the book.

The other complaint I can see being leveled at Skullsworn is that it’s much shorter than the rest of Staveley’s novels. While I would call the original trilogy epic, I don’t think that Skullsworn meets the criteria. It’s a personal quest story, and as such, it’s the right length. I feel like trying to make the book longer by adding unnecessary complications or words would have made it a worse book. I don’t have any complaints about the length other than that I’m once again out of Staveley to read, and I have to go back to waiting for the next one!

Pyrre is a very different viewpoint character than any that Brian has written before. While Kaden can attain some measure of calm, and Valyn is trained to kill, neither of them reach the levels of cold-blooded apathy that Pyrre ascends to in her devotion to Ananshael. This could make for a very boring character – someone who just wanders around and kills people – in the hands of an amateur, but Staveley is anything but an amateur. In his hands, Pyrre had wants, desires, and needs. She is on a quest, her own kind of twisted coming of age story, and while the “life or death” part of the quest doesn’t hold the same pull as it might for another character, it still makes for a compelling narrative, and gives the book a definite sense of progress. In addition, Pyrre learns a lot about herself during the book, and the lessons and her character growth are brilliantly done.

It’s not Pyrre who really sold the book for me, though. It was the ending. While I was enjoying the book throughout, as a very good book that was a quick read and thoroughly enjoyable, I’ll admit, before the ending, I was thinking I was going to give the book four stars.

And then the ending happened.

I can’t really say much other than that it was epic and way better than I had anticipated or thought possible. YOU NEED TO READ IT.

In summary, while Skullsworn follows a single character, and one who is a challenge to make interesting, it pulls this off very well. It’s the right length for the story that it is trying to tell, and the ending packs a massive punch. While I felt that the ending was even better because I read the original trilogy first, Skullsworn can be read at any time, and I think you’ll love it regardless. I give it five of five stars, and very high recommendations. Now go read it so I have someone to discuss it with!

Brian Staveley’s Website.

Skullsworn on Goodreads.

 

Guest Review: Inherit the Flame

We have a very special guest review on the blog today! Sterling, my awesome non-blogger friend and manga reader and collector extraordinaire, is here to talk about Inherit the Flame!

InheritTheFlame

Inherit the Flame is the third and final book in the Scorched Continent trilogy. The first two books were full of adventures, airships, banter, and character growth. They were a lot of fun to read so I came into this last book with somewhat high expectations which were met for the most part. Since this is the third book in the series, I’m not going to say much about the plot because I don’t want to spoil the previous books for anyone.

Detan has successfully retrieved the engineer, Nouli, from the Empire and has returned to his Aunt to find the city under siege. Most of the characters from the previous books make an appearance in this book. It was great seeing Ripka trying to get used to being a civilian again after being in law enforcement. Of course, there’s Detan who is still trying to gain control of himself before he destroys anyone he loves. Detan felt more than a little lost in this book and it began to be annoying. For me, it took away from the narrative. We do get a little more backstory on the Commodore. She is a woman who has spent the last two books as a force of nature but after this book I couldn’t help but feel sympathy for her.

As for the plot, it had its ups and downs. Overall, I enjoyed it but it’s not my favorite of the series. The pace lagged in places. Ripka attempts to pin down and diffuse whatever scheme the Commodore is using to take over Hond Steading. Detan’s struggles with his power results in him putting himself in the clutches of his enemies to learn control. There’s some great chases, grand uses of magic, and great banter. This book wraps up the story arc from the previous two books as the Steading tries to remain whole in the face of two irresistible forces.

Is this a book worth reading? I’d say it is but I’d recommend starting with book one, Steal the Sky, if you haven’t picked the series up. If you’re already a fan though, this is a decent conclusion to the series but it may leave you wanting more. I’m interested to see what the author puts out in the future.

3 of 5 stars.

ARC Review: Red Sister

Book Review: Red Sister

RedSister

From Goodreads:

I was born for killing – the gods made me to ruin.

At the Convent of Sweet Mercy young girls are raised to be killers. In a few the old bloods show, gifting talents rarely seen since the tribes beached their ships on Abeth. Sweet Mercy hones its novices’ skills to deadly effect: it takes ten years to educate a Red Sister in the ways of blade and fist.

But even the mistresses of sword and shadow don’t truly understand what they have purchased when Nona Grey is brought to their halls as a bloodstained child of eight, falsely accused of murder: guilty of worse.

Stolen from the shadow of the noose, Nona is sought by powerful enemies, and for good reason. Despite the security and isolation of the convent her secret and violent past will find her out. Beneath a dying sun that shines upon a crumbling empire, Nona Grey must come to terms with her demons and learn to become a deadly assassin if she is to survive…

Disclaimer: I received a copy of this book for review. This has in no way affected my review of the book.

I’ve heard a lot about Mark Lawrence over the years. It’s kinda inevitable when you have the same first name as the guy. I heard some things that made me wary, but I also know a lot of people who are huge fans of his work. I was excited to dive in and find out what all the hype was about, and getting Red Sister to review made me finally make the time to sit down and read one of his books.

My favorite part of the book was the setting. Not the overall worldbuilding, but the plot-based setting, especially in the first 2/3 of the book. It’s set at a monastery, and it’s told from the viewpoint of a young nun in training. The feel is very similar to the school experience from, say, Cinda Williams Chima’s Seven Realms series, or many of Tamora Pierce’s books, notably the Alanna quartet and the Lady Knight quartet. I have fond memories of all of these books, and so getting to go back to this setting triggered some happy nostalgic memories. I definitely enjoyed this part of the book, even if I could tell that I’d seen it all before, and that there were many of the same cliches here that all of the other books use.

I don’t want to brush off the worldbuilding by just talking about the setting, though. What bits we got in this book were very intriguing. We get hints of where the people came from, the disasters that have befallen their world, how they’ve adapted, and what may lie ahead. But it’s all very tangential to the plot, and there were points where I was definitely hungering for more, more, more. I feel like this will play a much larger role in the later books in the series, and what we got here was just a teaser. I also have to note that, until the second half of the book, I sometimes forgot we were on an icy planet, and it felt like the author did too, until it became plot relevant. I would have liked more continuity on this, but the bits about the history we did have, how the moon works, and everything… I can tell Lawrence has a very scientific mind, and I thoroughly enjoyed finding out the details, bit by bit.

Lawrence has a reputation for being a grimdark author, and I don’t know if this book just isn’t representative of his other works, or if that’s just a falsely applied term. This book didn’t feel grimdark at all. There definitely were tight spots and important character deaths, but that’s something I get out of most fantasy novels these days, and nothing felt really overdone. If anything, it felt almost like a YA novel without some of the annoying YA tropes that I hate to read. The main character is young, and most of the time, she remembers to act like it. The plot centers around her learning and coming of age, and many of the secondary characters are of the same age.

I had a hard time getting into the book at the beginning, because Lawrence was playing some fancy tricks with the timeline, flashbacks, and information giving. I got really confused, and there were definitely points where I considered quitting before I really got into it. Once I got into it, however, I was enjoying it enough not to stop,

When I was reading through the book, I found myself putting it down between every chapter at one point, just to take a break, check my texts and emails, etc. While I enjoyed the setting, the plot didn’t draw me along, and the prose sometimes felt disjointed and unpolished. I wish I had been more engaged, but sometimes, there just wasn’t enough tension and intrigue to really draw me in.

I think some of the disconnect may also have been the absence of a completely coherent endgame for the book. I wasn’t sure where we were really going, and what the big climax was going to be until almost when it happened, and so there wasn’t a huge sense of overarching tension to draw me through the book. I could tell nearly from the beginning that none of the large issues raised by the worldbuilding and history wouldn’t be answered in this book. I wish there had been a bit more of a sense of direction, overall, though.

In summary, I quite enjoyed some parts of my first foray into Lawrence’s work. In particular, I liked the worldbuilding aspects, both large and small, and the setting was one I definitely enjoyed. However, I had issues with parts of the plot being boring, and the timelines a bit confusing, with unnecessary jumps, and that threw me off a bit. I don’t know if I’m going to read more Lawrence books, because I don’t think any of them will have the same setting-based appeal that this one did. If you want more girl-at-school learning to fight, politick, and put up with bullies, I recommend reading Tamora Pierce or Cinda Williams Chima, as I enjoyed both of their books more than this one. I give Red Sister three of five stars.

Book Review: Daughter of Smoke and Bone

Daughter of Smoke and Bone

From Goodreads:

Around the world, black hand prints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil’s supply of human teeth grows dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real, she’s prone to disappearing on mysterious “errands”, she speaks many languages – not all of them human – and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.

When beautiful, haunted Akiva fixes fiery eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

I have a strange relationship with young adult novels. I really liked Magonia when a lot of other people didn’t, for example. In this particular case, I did not like Daughter of Smoke and Bone quite as much as the Goodreads consensus does. I really, truly was hoping to love it, as it was our book club pick this month. Star-crossed lovers, you say? I enjoyed that trope in These Broken Stars. Angels and demons are fun, too. But other than the world building, it just didn’t click with me in the way other books have. Perhaps it was because the main character’s personality seemed typical for the genre? Maybe it was the instant love between Akiva and Karou. Maybe it was the predictable plot. In any case, I just did not fall in love with Taylor’s story.

Let me start with what I did enjoy. This story was not what I expected it to be from the blurb on the back. The angels and demons are not what they first seem, and I quite liked that! I loved the descriptions of the various chimaera, of their different aspects, of their cultural myths and legends. While war between a slave race and a dominant race is nothing new, Taylor does manage to create an interesting conflict that will be quite the driving force in the later novels, I can only assume. Additionally, the use of teeth for wishes was grotesque and super cool at the same time, as is what the teeth are actually used for within the story.

However, as for the characters, I enjoyed the secondary characters over the main cast. Zuzana, Brimstone, Issa, even Razgut… I felt that they were all so much more more realistic than Akiva and Karou are. Karou reminded me of that comic describing young adult main characters being good at everything and a vampire to boot. (Of course, she isn’t a vampire, but I digress.) She’s talented at drawing, combat, has chimaera for a family… She’s as special as it gets. While it didn’t make me dislike her, it still felt too unbelievable even given the explanation. I think it may be because I prefer to see that growth during the course of the novel, rather than being given a character that’s already good at everything. Her only downsides seemed to be that she felt empty and acted as expected for her age, and I suppose that would be what teens would relate to and is, of course, understandable. Even so, I feel like more flaws or weaknesses would make her feel more “human”.

As for the romance… It was instant and frustrating, and the part that really made me want to put this novel down. While I thought it was definitely cute at times, there needed to be more development, even with the excuse given later on as to why they are so drawn to each other. There was just too much, too fast to begin to be believable, especially with the circumstances in which they first meet in the story. The romance fires sparks within a day, and I find that rather ridiculous. Instant lust, sure. That would make sense. Since it is termed as love in the story, however, I can’t help but shake my head.

With all of the above, as well as a jarring story structure (see: last fourth of the book switching gears dramatically), I can’t give this novel more than three stars. While I am curious to read the other two books in the series because of how the book ends, I am hesitant. I don’t really ship the romance as hard as I would like to, and the story really just isn’t gripping me the way it should to read it all. In one word, it was unbelievable. And that’s a weird word to use for a fantasy novel.

Book Review: A Closed and Common Orbit

A-Closed-and-Common-Orbit

WARNING: As the second book in the series, this review (and in particular, the summary below) will have spoilers for The Long Way to a Small, Angry Planet!

From Goodreads:

Lovelace was once merely a ship’s artificial intelligence. When she wakes up in an new body, following a total system shut-down and reboot, she has no memory of what came before. As Lovelace learns to negotiate the universe and discover who she is, she makes friends with Pepper, an excitable engineer, who’s determined to help her learn and grow.

Together, Pepper and Lovey will discover that no matter how vast space is, two people can fill it together.

The Long Way to a Small, Angry Planet introduced readers to the incredible world of Rosemary Harper, a young woman with a restless soul and secrets to keep. When she joined the crew of the Wayfarer, an intergalactic ship, she got more than she bargained for – and learned to live with, and love, her rag-tag collection of crewmates.

A Closed and Common Orbit is the stand-alone sequel to Becky Chambers’ beloved debut novel The Long Way to a Small, Angry Planet and is perfect for fans of Firefly, Joss Whedon, Mass Effect, and Star Wars.

I’ve made no secret of the fact that the first book in this series, The Long Way to a Small, Angry Planet, was my favorite book of last year.

I always get nervous when I’m reading the second book by an author I’ve absolutely loved. I’ve found far too many who have disappointed me, and been one-hit wonders. Many people criticize Rothfuss, saying Wise Man’s Fear isn’t as good as Name of the Wind (though I enjoyed them both). I’ve heard the same accusations leveled at Anthony Ryan (though I have not read his stuff yet). I personally feel this way about Ernest Cline. (Read Ready Player One, don’t bother with Armada.) Thus, when I’m heading into the second book, I always feel a bit nervous, and worry that I’m going to be let down again. I loved the first book so much, I want to have that same awesome experience.

Thankfully, Chambers delivers with A Closed and Common Orbit. The book is every bit as lovable, adorable, intimately human, progressive, and deep as the first one and, dare I say, I think I even loved it a bit more. While Long Way followed the crew of the Wayfarer across the galaxy, traveling to a large number of varied planets and meeting each member of the large crew, and their families, Orbit focuses on only a handful of characters, digging deep into their backstory and journey. I felt like there was a much better sense of connection between the chapters because of this, and more progression throughout the book. While Long Way felt very episodic, Orbit felt like a cohesive novel.

One of the other issues that initially worried me about this book being a sequel to Long Way is that we’re not following any of the characters in the original novel. There’s an entirely new cast here. This book takes place completely planet-side, and follows Lovelace, in her new body. This allows the novel to stand on its own, something that far too few novels do these days, with the massive number of ever-ongoing series that there are. It was not a problem, however, and I fell in love with these new characters just as quickly as I did with the original cast.

The book still is, like the first one, a character study. I love me a good plot-based novel about saving the world, a book that is utterly epic in scope and stakes, as much as the next person. (Considering my obsession with Sanderson, Jordan, etc., probably more than the next person.) However, sometimes I need a break, and an intense, deep character study is an amazing break, a lovely rest.

Because it digs so deep into its characters, Orbit can ask some deep questions. What makes us people? What really is humanity? Who deserves to be a person, and why? What is one’s purpose? All these questions and more are addressed in this book. Not all of them are answered, and some of the answers are very personal to the characters involved, and not universal. I loved the way this was handled and explored. Many of the decisions made that revolve around these questions really resonated with me. Some of them left me with questions about my own life, and my own notions and beliefs. Any book that challenges you to examine yourself a bit is good for you, and thankfully, this one was an enjoyable read as well.

The book is every bit as progressive as the first, from its questions of AI humanity to various gender-fluid characters prominent in the plot. There were unique and interesting cultures and family structures, all presented with a very open mind and in such a way that make complete sense for the species and conditions in which they arose. While we don’t explore quite as many of these as we did in the first book, they’re still fascinating, and I loved how they were presented here.

Despite the deep questions asked, and the issues raised, Orbit, like Long Way before it, is an ultimately happy book. There are so many beautiful little moments that make me smile, and if I ever tear up, it is because the moment was bittersweet. My heart was warmed by reading this book, and honestly, everyone needs more books like this. The world is a grim place many days, especially with our recent political climate, and it’s always nice to be reminded that everyone you meet is a person, with their own story, and that there are little moments of beauty around us, in all of the people around us, if we just look.

This book does a lot of the things that Ancillary Justice did. It has very progressive ideas, it’s a space opera, and it focuses around an AI out of its ship, stuck in a single body. It asks the question of what it means to really be a person. The difference is, Orbit does it right. I was lukewarm on the first Ancillary book, and found the second two to be downright boring. Orbit is never boring, and even though it is slow, the characters are so warm and so realistic that I couldn’t help but fall in love with it. Everything Ancillary Justice tried to do, A Closed and Common Orbit did, and did better.

In summary, A Closed and Common Orbit is a worthy sequel to The Long Way to a Small, Angry Planet. If you liked the first book, you need to read this one as well. It is absolutely heartwarming, charming, open-minded, and deep. I absolutely loved it, and needed this book in my life. Five of Five stars, and my highest recommendations. (And if you haven’t read Long Way, please, please, at least try it. However, both books are completely stand-alone, so you can read them in any order you want.)

Links:

Becky Chambers.

Goodreads.

Amazon.