Comic Review: Monstress Vol 1

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From Goodreads:

Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.

Originally, I read the first issue of this comic back when it was released and when Marjorie Liu had a signing at our local comic book store. I was fascinated and couldn’t wait for more. It has been a little over a year since then, and I finally picked up the trade paperback to go through the first six issues simultaneously. I am truly glad I read it this way instead of issue to issue. While engrossing and beautiful, the story would have been much harder to appreciate had I read it monthly.

The comic follows Maika Halfwolf, who at the start of the first issue is seeking revenge for the death of her mother. She is both crass and combative, and I honestly had a hard time liking her. It is understandable as to why she is that way, however, due to her upbringing during the war and also having been a slave. She doesn’t take no for an answer, and even if she is indeed monstrous and unlikable, I can definitely respect her as a character.

The other characters, human, Arcanic, or otherwise, are all captivating in their own right. I loved reading about Ren and Kippa especially. Kippa, being a scared yet optimistic child regardless of what he goes through, and Ren, the trickster cat, work as great companions to Maika throughout the story. While the human villains feel truly evil, even they are full of surprises. Intrigue, betrayal, and ulterior motives are staples of Monstress, and nobody is truly as they seem. The humans are often inhuman, and the Arcanics are not the monsters the humans claim them to be.

One of my favorite aspects of this comic is the setting. The artwork gives off a very Egyptian atmosphere, with depictions of masks that resemble Anubis and the gratuitous use of the color gold. Their world is one of steampunk elements such as airships, and Lovecraftian Old Gods whose ghosts roam the world. While each element on its own may have been used time and again in the past, together they create an unique and stunning universe.

The plot itself, however, is one found in many comics. It is a story of revenge and a story where multiple factions are trying to track Maika down for what she holds. I can’t tell you how many comics I have read where people are chasing the main character as a main plot device. Even only considering the comic’s publisher, Image Comics, this is a common trope. Regardless, I still felt heavily absorbed in the story even if there are many recycled plot threads.

The depth of the worldbuilding in this work is rather grand as well, and this is why I felt it would be difficult to read each issue separately. I was dropped into the story without much guidance, and there was little info-dumping throughout save for the lessons given at the end of each issue. Those segments were incredibly helpful, and I would have been rather lost without them. It definitely takes the first few issues for things to begin to make sense overall.

Even with the formulaic plot, I loved Monstress. It is arresting, beautifully drawn, and full of fascinating characters. I also couldn’t help but love the cats too! I give this comic four out of five stars, and cannot wait to read more in the future.

Book Review: Magonia

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From Goodreads:

Aza Ray is drowning in thin air.

Since she was a baby, Aza has suffered from a mysterious lung disease that makes it ever harder for her to breathe, to speak—to live.

So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of her medication. But Aza doesn’t think this is a hallucination. She can hear someone on the ship calling her name.

Only her best friend, Jason, listens. Jason, who’s always been there. Jason, for whom she might have more-than-friendly feelings. But before Aza can consider that thrilling idea, something goes terribly wrong. Aza is lost to our world—and found, by another. Magonia.

Above the clouds, in a land of trading ships, Aza is not the weak and dying thing she was. In Magonia, she can breathe for the first time. Better, she has immense power—and as she navigates her new life, she discovers that war is coming. Magonia and Earth are on the cusp of a reckoning. And in Aza’s hands lies the fate of the whole of humanity—including the boy who loves her. Where do her loyalties lie?

I honestly was not sure if I would like this book in the beginning. It begins with stream of consciousness writing, with a slice of life focus. While fascinating and beautifully written in its own right, I could not help but feel that Aza Ray was a special snowflake. Nerdier than the rest of the class? Check. Only one friend who understands her, and is just as nerdy? Check. Nerdiness is almost to the point of being beyond belief? Check. A mysterious illness that not even doctors understand? Needless to say, I had a hard time initially with the novel. However, as I continued reading, these facets added to the fantastic and dream-like atmosphere of the story. While we see a typical YA heroine with special powers and coming to terms with her destiny, the world building and mythos make up for these tropes and others throughout the story.

Maybe I have not read enough, but I have never read something quite like this novel. Ships in the sky? Sure, I’ve seen that plenty of times. Birds that roost in your lungs to amplify your singing voice, however? That as well as plenty of other facets, from the Magonian race to the Rostrae, were unique and refreshing. I fell in love with this world, even if there were plot holes abound and a lack of believable characters.

Even if they were unbelievable, however, I still could not help but empathize with them all. They all had clear goals, clear motivations, and were never black and white. It was also nice to see Aza and Jason’s parents play such a strong role in the story as well. I could not help but root for everyone, cry with them, and laugh with them, especially with how strong the audiobook performance was. Even once I had to turn in the audiobook and read the physical book, their voices stayed with me.

Although there was a romance triangle, it made sense within the context of the novel and did not bother me as much as they normally tend to do. Jason and Aza together, in particular, were adorable, and I could not get enough of them. From the alligator costume in their beginning years to watching giant squid together, the entire time I wanted to both hug them and push them together at every moment.

Factoring in the improbable characters and plot holes (seriously, Jason, using the dark web as an excuse for all the shenanigans you manage to get up to??), I give this novel four out of five stars for wonderful world building, emotional and poetic writing, and for making me cry on the bus home of all places. I will definitely be giving the second book a try, as Aza Ray’s story will stick with me for a long time.  Thank you, Maria Dahvana Headley, for writing such a poignant and amazing novel.

Visual Novel Review: Planetarian: The Reverie of a Little Planet

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From Steam:

It is thirty years after the failure of the Space Colonization Program.
Humanity is nearly extinct. A perpetual and deadly Rain falls on the Earth.
Men known as “Junkers” plunder goods and artifacts from the ruins of civilization.
One such Junker sneaks alone into the most dangerous of all ruins — a “Sarcophagus City”.
In the center of this dead city, he discovers a pre-War planetarium.
And as he enters he is greeted by Hoshino Yumemi, a companion robot.
Without a single shred of doubt, she assumes he is the first customer she’s had in 30 years.
She attempts to show him the stars at once, but the planetarium projector is broken.
Unable to make heads or tails of her conversation, he ends up agreeing to try and repair the projector …

For those unfamiliar with visual novels, and kinetic novels in particular, before I get into Planetarian’s review I will give a short explanation. Visual novels essentially are compromised of text, visuals, and music. Often there are choices to be made that will feed you into alternate endings and paths, making the experience one that is worth repeating, such as a Choose Your Own Adventure novel. The amount of interaction can range from a “kinetic novel”, which has no choices, to “adventure games”, which contain more gameplay elements. While there are many that have been written in Japan, the amount that have been translated into English officially is much smaller, though growing. There are also many fan translation patches that you can get if you have Japanese copies of certain games, so that is an option that exists.

To warn you, however, many have eroge content, meaning that there often is 18+ scenes added in, which I will warn you about if I review one of that nature. Additionally, I will let you know if there is an official English version available or if I played a patched in fan translation.

Planetarian: The Reverie of a Little Planet is an all-ages kinetic novel developed by Key that was originally released in 2004, and has been released in English on Steam. The story follows a Junker who scavenges a post-apocalyptic world for anything useful he can find. The unnamed protagonist, on one of his excursions to a sarcophagus city, finds himself in a planetarium with a female android named Hoshino Yumemi that has been waiting for customers for thirty years. Much of the plot centers around this planetarium and its sole occupant, who is unaware of the nuclear and biological warfare that encompassed the planet a generation prior.

First of all, this visual novel broke my heart. I can’t really get into why without spoiling the whole story, but do go in knowing that you’ll probably cry. I knew this beforehand from the Steam reviews, and still I was a sniveling wreck.  This means that the novel is easy to connect to and empathize with the characters, which is great in the four hours it takes to play the game.

Over the course of the story, there are only two characters that are presented, and in the setting, that is honestly just enough. Seeing the interactions between the Junker and Yumemi is heartwarming and simultaneously heartbreaking, as the Junker’s cynicism and Yumemi’s optimism often clash. Yumemi believes that customers will eventually come back to the planetarium, while the Junker time and time again tries to explain that there is nothing left. It is a contrast between the optimistic belief in humans and the reality that humanity has wrought onto itself.

The aspect I loved the most about this story is the focus on the stars. With the Rain pummeling down on the world constantly, the sky has long been obscured from view. The stars represent hope and belief in humanity’s possibility to heal.

While relatively short and predictable in many aspects, the novel packs a punch. There’s just enough exposition to color the story in the beginning, discussions on humanity’s path to the stars, and character growth from both parties.  Even the Junker’s harsh manner becomes manageable by the end.  The artwork, while relatively simple in comparison to modern day visual novels, is still just enough to paint an accompanying picture to the text. The music, particularly “Gentle Jena”, does a fantastic job at tugging at the heartstrings and making one want to look to the night sky.

Overall, I give this visual novel four out of five twinkling stars in the sky, mainly because it is rather predictable. Even so, I feel like it will stay with me for a long time, and I look forward to trying the anime adaptation soon.

Steam

 

 

Book Review: Seveneves

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I read this book because it was one of last year’s Hugo Nominees.

This book was very much hard sci-fi. Much harder than most of the other books I’ve read, and probably too hard for a lot of people. If you want a story about just characters, Seveneves is probably not the book for you, though that doesn’t mean those stories aren’t there. I would personally have to say that I enjoyed it, in part, because of the science, rather than in spite of it. It is explained so well, and in a way that is so relevant to the plot, that it never bored me. I’m generally much more of a fantasy geek than a sci-fi nerd, and will happily read pages on invented magic systems. Stevenson managed to turn the science here into a fascinating story, even without extrapolating very far into the future for most of the ideas.

That being said, this book had one major problem, one jarring element, that kept it from being amazing for me. WARNING: If you highlight the next paragraph, there are MAJOR SPOILERS for part of the plot.

The first 2/3 of the book are an intense, brutal, amazing survival novel. Then, once we have survived as a species, it jumps thousands of years into the future, starts over with a completely new set of characters, and follows an entirely different plot—that of our return to Earth. I found this jump to be jarring, unnecessary, and it darn near ruined the book for me. It didn’t feel like the same book at all. Honestly, if I could just go read the first 2/3 of the book, and consider it a complete novel, I would be perfectly happy and I would have enjoyed the book a lot more. Then the last 1/3 can be a companion novel, released a few years later. They should not be called the same book, at all.

The book did not move quickly at any point. There was no overwhelming sense of urgency to the plot, no need to get things over with and get to the next exciting bit. Rather, it took its time and it did it incredibly well. It still managed to have a rising tension that permeated basically every page, and somehow drew me through the entire thing. I’m not sure how well it would hold up to a reread—and I don’t honestly intend to find out—but it gripped me on my entire first reading.

The premise of the book is very simple, and it’s laid out on the first few pages. It’s a simple “What if?” question that I’m sure many people have contemplated before. I didn’t even feel that any of the results or reactions to the inciting event were outlandish—every decision felt realistic, every happening totally possible. It scares me a little bit, sometimes, how easily our modern society could fall into chaos and disappear. The progression of ideas, and the level of intriguing plot and tension that Stevenson was able to create with such a simple idea shows off his skill—you don’t need a list of “WOW!” ideas to make a great book, you just need everything to be solid, and be a good writer.

Not only did I feel that all of the scientific extrapolations in the book were solid and believable, but also the character actions and reactions. People made some bad decisions, and I sometimes wanted to bash their heads together and just yell at them to cooperate. I was able to get inside the heads of several of the characters from the book, and in many cases, I cannot deny that I would also have made some very bad decisions had I been in their places.

The title of the book makes no sense before you read it—I wasn’t even sure how to pronounce it until I figured out what it meant. Once I did figure that out. . . I think it’s genius. But I won’t spoil it here.

In summary, Seveneves was a very good book, with understandable character decisions and a believable sci-fi plot, that, despite it’s slow pacing and simple premise, entranced me and drew me through. Unfortunately, there’s then another book that is half the length of the first one, tacked on to the end, and it didn’t fit at all, though it was good in its own right. I’m going to give it three of five stars, and recommend that you at least read the first two parts—but if you don’t read the third part, you’re doing just fine.

Comic Review: Descender, Vol 1: Tin Stars

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From Goodreads:

Young Robot boy TIM-21 and his companions struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet. Written by award-winning creator, Jeff Lemire, Descender is a rip-roaring and heart-felt cosmic odyssey. Lemire pits humanity against machine, and world against world, to create a sprawling epic. Created by Jeff Lemire (Sweet Tooth, Trillium) and Dustin Nguyen’s (Little Gotham) critically acclaimed, bestselling new science fiction series!

Collecting: Descender 1-6

Okay, it is time to reel in my flailing before beginning, this graphic novel was that good.  I honestly have not read something this amazing in quite a long time, and it was wonderful for a comic to just “click” with me so well.  Descender is fantastic sci-fi rendered in a beautiful watercolor setting that was incredibly unique and refreshing.  Alien worlds emblazoned in rich shades, so unfamiliar and otherworldly, fit with the flow of the story well enough that any doubts I may have had from the deviation from normal comic book art were blown out of the water.

The story follows TIM-21, a companion android for children that wakes up years after an attack from massive robots known as the Harvesters.  Alone and afraid on a desolate mining planet far from populated reaches of the galaxy, different factions vie for retrieving him due to his importance in identifying the origin of the murderous machines that killed millions upon millions.  Those groups, such as the UGC, Grishians, and the like, all have their own clear motives and were each fascinating in their own right.  I cannot wait to learn more about each of them as this comic progresses!

The grayness of each character was another favorite part of this work for me.  No one was strictly good or evil, which in comics feels great as there is so often a clear good guy and bad guy, especially in the superhero genre.  From the “father of modern robotics” to those who want to destroy all robots in existence, they all have solid reasoning for their actions and their own light and dark sides.  This becomes clearer as the comic progresses.  All we can root for is poor TIM-21, who just wants to see his family again.  And, of course, Driller, because Driller is the best and there is no argument that’ll make me believe otherwise.

Finally, the theme of the humanity of robots is always a wonderful one to visit, and this comic has this in spades.  TIM-21 is programmed with emotions to facilitate his job as a companion robot, and the robots shown throughout the story feel much more human than their modern-day counterparts.  Yet, they are being massacred due to the robot attack that so many planets endured.  The parallels to genocide are not easily missed, and the easiest characters to empathize with are the machines.

Overall, I cannot wait to read the second and third trade paperbacks that are currently out and will likely review those as well!  (We may have already bought them, I was so excited.)  Descender deserves all five stars, as Jeff Lemire has created a beautiful world and characters I can get behind.  This is probably my favorite sci-fi comic outside of Saga, which is a high honor!

Amazon

Goodreads

Book Review: Sleeping Giants

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This book has been compared to World War Z (which I have not yet read), in part for its format. It’s a very interesting format. I wouldn’t quite classify it as found footage, but it’s not really an epistolary either. It’s told through interviews, occasional surveillance videos, and other such things. Mostly the interviews, though. Perhaps the most similar book that I’ve seen recently is Illuminae. (This one doesn’t have any illustrations, though.) The format is done really well, though there are times I could tell that the author was forcing himself to use the format, and it doesn’t really fit. Overall, though, it works really well, and brought a fresh feeling after reading so many books told in the same limited 3rd person viewpoint.

One trick that Neuvel tries to pull with this format is an unknown narrator. The person who conducts most of the interviews attempts to keep himself a mystery during the book—and this element really didn’t work for me. Because we only get to know a few characters in the book, and most all of them have met and been interviewed by the narrator, I feel like the narrator will end up being someone we don’t actually know, and therefore the reveal won’t be a shock.

The overall story is very intriguing. It’s a mix of a conspiracy story, mystery, military tale, and HOVER FOR SPOILER. The interweaving of so many layers makes it really gripping, and I enjoyed the story the whole time I was reading. It was a very quick read, despite the plot sometimes not moving super quickly (and sometimes jumping over months at a time), so I felt the plot was overall well written.

Two elements in particular that the book excelled at were the mythological aspect underlying many of the discoveries that were made, and the linguistics applied while deciphering the “foreign” texts. While both of these were done with very few actual details, and much of the story was implied, the parts that were there were done very well, and I loved the depth they added to the story.

My biggest complaint with the story is the ending—or lack thereof. I didn’t feel like there was actually any climax or resolution to the story. It doesn’t feel like the first book of a story—it feels like the first part of of a larger book. This really disappointed me, and I honestly don’t recommend reading it until you can read the second, and maybe third, parts. This really ruined my sense of enjoyment, as the book didn’t give me any closure, or really even that much indication that the end was coming, until I turned the last page and there simply wasn’t another page.

In summary, Sleeping Giants was a really interesting read that pulled me through, layering multiple plots very well with a cool storytelling style that only occasionally felt stretched, but let me down significantly at the end when there was no real climax or conclusion to the book. I give it 3 of 5 stars, and recommend it as part of the series, perhaps to be read once the other books have been released.

Book Review: The Amber Project

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From Goodreads:

In 2157, a mysterious gas known as Variant spreads across the globe, killing or mutating most organic life. The surviving humans take refuge in an underground city, determined to return home. But after generations of failures and botched attempts, hope is beginning to dwindle. That is, until a young scientist makes a unique discovery—and everything changes. Suddenly, there’s reason to hope again, and it rests within a group of genetically engineered children that are both human and Variant.

Terry is one of these children, modified and trained to endure the harsh conditions of a planet he cannot begin to understand. After years of preparation, Terry thinks he knows what to expect. But the reality is far stranger than anything he can imagine—and what he will become is far more dangerous.

I often do not pick up self-published novels.  I don’t have anything particularly against them, but oftentimes they suffer from needing more editing passes and beta/gamma readers.  This doesn’t mean the novels are always bad, of course – they just need more tender loving care.  This is how I can describe most of my experience with The Amber Project, which was December’s read for a book club I am a part of.  Riddled with continuity errors, scenes that seem out of place, and flat characters, this novel could have been so much more.

To me, J.N. Chaney’s book felt like a typical dystopian/post-apocalyptic novel.  With so many of those released within the last ten years, I felt like each scene I had seen before in some sense.  A breeding system?  Check.  Government falling apart slowly?  Check.  Some sort of deadly outside agent?  Check.  With generally cut and dry prose and only a couple really interesting action sequences, oftentimes I just felt bored.  It did not help that every once in a while there would be an error here or there with the year the scene was taking place, and sometimes contradictory information was given.  It could be jarring at times and brought me out of the story.

The Amber Project focuses on two sets of characters – the genetically modified children who are created to be able to traverse the Variant-ridden surface without special equipment, and the adults in power, such as the main character’s mother, Mara.  I will be honest, the main storyline with the children was not nearly as interesting as the politics going on in the background with the Mothers, the Scientists, and the Military.  Politics are often my favorite part of dystopian fiction.  Transition of power, the breakdown of a checks and balances system, and how the separation of the sexes is handled are all topics covered within this novel.  Especially as Ender’s Game-like schooling was happening with the children, the adults were just so much more interesting to read about and generally better fleshed out as people.

My other favorite part of dystopian and post-apocalyptic novels is the explanation as to why society broke down.  While the Variant gas is covered and explained in detail (though the science felt off), how the city initially came to be before the Jolt and why there are a myriad of types of plants, farms, and a general higher standard of living is glossed over, if it was really touched on at all.  A subplot about the slums was hinted at as well, but also was barely mentioned outside of two or three scenes.  There seemed to be a lot this book wanted to do, and perhaps the author does in the following two novels, but as a first book in a series I felt there was so much left to be desired.

If there was any one word to describe what I read, it would be this: mediocrity.  The main character Terry felt inconsistent and I had trouble empathizing with any of the cast.  There were recycled topics.  Shaky science.  I felt this book had the foundation for something great, but fell below that on so many levels.  For the interesting politics and premise, I give it three stars, but I likely will not continue with the series as I never got the emotional connection I wanted.  Someone at least let me know how Mara does, though!

Book Review: The Dinosaur Knights

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Disclaimer: I was sent a copy of this book by the publisher for review (Which is rather late. I’m sorry.). This has in no way affected my review of the book.

Before I get into my review, I’m just going to pause for a moment and admire that cover some more. Richard Anderson continues to be my favorite cover artist.

If all you want is dinosaurs beating things up, and you really enjoyed the first book in this series, The Dinosaur Lords, then there’s a decent chance you’ll enjoy this one as well.

Though there’s also a chance you might not. The pacing feels much worse in this one, dealing with lots of random events off in odd corners of the empire, interspersed with random tense scenes, before it really gets going in the second half of the book. I had a lot of trouble getting into this one, in part because of the pacing, and that’s why this review has been delayed by so much, and also part of why I’ve not been reading as much for the past few months. (Yes, it took me a few months to get through the entire book.)

I don’t know if I glazed over the descriptions in the first book because dinosaurs (I know I was rather enchanted by the dinosaurs), or if they’re simply worse in this book, but I was appalled by the prose in many places, from HOVER FOR NSFW to a character “lustily puking” into a bush. I was simply thrown out of the story way too often by awkward lines such as these, and honestly felt the book would have been much better for another line editing pass.

Part of the descriptions that wasn’t necessarily badly done (with a few exceptions like the one above) were the unnecessary oversexualization of everything. Many characters show up naked, arbitrarily, or are old lovers, and so on, and it honestly became rather tiring after a while. It didn’t drive the plot forward, most of the time, and I really wish some of it had been trimmed.

Another part that I may have brushed aside in the first novel were the typos. However, I read an ARC of The Dinosaur Lords, so I expected that any typos I saw would be caught during the copyediting and proofreading stages, and so ignored them. Since then, I’ve done several gamma reads (proofreading, essentially) for other books, and I noticed a lot of typos in this one–more than I typically expect to see even in a first pass proof. And I was reading the final book this time. It took me out of the story every time I saw one, and I had to resist marking up my book to correct them all.

On a more subjective level, I also felt that some of the characters were rather inconsistent. Many of them semi-magically develop talents for new skills, especially fighting, and with one character in particular, this abrupt reversal from how she was before, stretched the limits of my belief. I would have preferred a smoother transition for several of the characters.

I also would have preferred a smoother transition between chapters – oftentimes a large amount of time would pass between chapters, but reading them back to back I didn’t pick up on this until later in the chapter, oftentimes leaving me a bit confused and disoriented. Again, I feel this is an issue that could have been fixed with another editorial pass or two.

If there’s anything the book is good at, though, it’s dinosaurs. And, like the first book, it delivers. Tense moments abound, and the climax is epic. Despite my many qualms with the book, the combination of the massive battle near the end and the reveal in the last pages make me almost want to read the last book. Almost.

In summary, the book could have used another 3 editing passes: One to fix chapter transitions, remove unnecessary sexualization, and clean up the pacing; a second to clean up the prose and descriptions; and a third for copyediting and proofreading, to clean up the multitude of typos. If you can get through all of those things, and you really want to read about your dinosaurs, you might want to go ahead and read this book, but although I have to give it 2 of 5 stars because the ending was pretty good, I cannot, in good conscience, recommend this book.

Comic Review: Paper Girls

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From Goodreads:

In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smash-hit series about nostalgia, first jobs, and the last days of childhood.

Collects Paper Girls #1-5.

Paper Girls kept popping up on my radar through various posts and best of the year lists on Twitter and the like.  Honestly, I’m not a huge fan of eighties and nineties nostalgia in particular, and coming into this comic I knew practically nothing about the story itself save for the back cover description.  Not my typical read, I thought, but I went ahead anyway.  And I’m glad I did – though I have not watched Stranger Things, I assume this is the kind of enjoyment I would get out of it.

For your sake as well, I want to keep you all as much in the dark about the actual plot as possible, because I felt it was a lot more fascinating watching it unfold that way.  What I can say is that the supernatural elements and the eighties culture and iconography were mixed very well, including and up to the way the comic was drawn and colored.  Neon hues illuminated the pages, like something out of an old movie such as Blade Runner.  Everything felt like it fell into the right place for the comic it wanted to be, and boy, it moves at breakneck speed once it gets going.  Brian K. Vaughan does not disappoint, as usual.

I absolutely loved the all-female main cast, even if I’m still trying to get a grasp on their characters.  They mention breaking the glass ceiling in paper delivery, and I quite enjoy stories that show young women at the helm and kicking ass at what they do.  I really hope that in the next volume or so, I can get to know the individual characters more readily and have an appreciation for each of them, as at the moment I see them as a conglomerate.

If you enjoy supernatural elements and your eighties nostalgia, then this graphic novel is right up your alley.  I give it a solid four stars, and recommend giving it a try, as I was pleasantly surprised.  Which I shouldn’t have been, honestly, because I love the writer’s other works, such as Saga.   And if you haven’t read Saga already, you better do that too!

Book Review: Of Metal and Wishes

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From Goodreads:

There are whispers of a ghost in the slaughterhouse where sixteen-year-old Wen assists her father in his medical clinic—a ghost who grants wishes to those who need them most. When one of the Noor, men hired as cheap factory labor, humiliates Wen, she makes an impulsive wish of her own, and the Ghost grants it. Brutally.

Guilt-ridden, Wen befriends the Noor, including their outspoken leader, a young man named Melik. At the same time, she is lured by the mystery of the Ghost and learns he has been watching her… for a very long time.

As deadly accidents fuel tensions within the factory, Wen must confront her growing feelings for Melik, who is enraged at the sadistic factory bosses and the prejudice faced by his people at the hand of Wen’s, and her need to appease the Ghost, who is determined to protect her against any threat—real or imagined. She must decide whom she can trust, because as her heart is torn, the factory is exploding around her… and she might go down with it.

Disclaimer: I’m a huge fan of the source material of this book.  Back in middle school, I lived, breathed, loved The Phantom of the Opera after a good friend introduced me to it.  Hell, I still love the heck out of it today.  It’s close to my heart.  Once I heard via the blogosphere that there was a YA retelling being published of it, I knew I had to snatch it up.  And while it sat on my bookshelf for a year before getting to it, I unfortunately don’t really regret the wait.  For while I did enjoy the book, I just did not feel the connection to the protagonist that I would have liked to.  Perhaps my expectations were too high because of my passion for the book and musical.

I keep wondering if it was the mood I was in while reading this book that made me ultimately feel rather meh about most of the characters, since plot-wise there was absolutely nothing wrong with the novel.  I loved the story, the setting, the atmosphere of the slaughterhouse… It was brutal and terrifying and so very satisfying.  I warn you now, if you do not like reading in graphic detail violence and slaughterhouse everyday life, you WILL have a rough time with this book.  I feel like the setting really captured many of the more violent aspects of The Phantom of the Opera, and the Ghost’s preoccupations with mechanical devices replaces that of Erik’s obsession with music.  Still, I felt a lot of the beauty of Phantom was missed in this book at times due to the new setting.

My biggest issue was that I did not feel connected to the romance between Melik and Wen.  Though I’ve always been most interested by the character of Erik (and subsequently the Ghost in this book), even in Phantom I could feel how right the connection between Christine and Raoul was.  I just was not able to really swoon over Fine’s characters, and I don’t know if it’s necessarily anything she did wrong.  I was more invested in the growing turmoil within the factory.  More than anything, I felt myself focusing on the Ghost and his behavior and actions more than any other character in the book.  He was just the most fascinating, even though Wen and Melik had their own clear motivations.  If I read the second book in the duology, which I’m still debating on, it will be to see what happens with the Ghost.

I believe, overall, it may have been my interest in the Ghost over the other characters which made Wen and Melik feel more flat to me.  While the other characters were fascinating in their own right, no one really compared to how interesting the Ghost is as a sort of anti-hero.  I think, in many respects, this happens in the source material for me as well.  I am incredibly happy that the Ghost has many of the same character traits as Erik and Fine pulls him off wonderfully as a character.  He’s childlike in his cruelty and manner, but a genius nonetheless.

Of Metal and Wishes, then, does not capture all of the elements that made me love the source material so much.  The Ghost’s mechanical creations do not quite capture the beauty in the horror that I fell for.  But this book stands up well on its own merit and plot.  The setting of the slaughterhouse was a unique one for me and it was nice to read about PoC characters, even if I did not get quite as much of their culture in this book as I would have liked – it was difficult to really place them as I believe they were of fictional ethnicities that corresponded to real life ones.  I think in many ways some of the characters suffer while the plot shines golden, and I give it three and a half stars.