Book Review: Daughter of Smoke and Bone

Daughter of Smoke and Bone

From Goodreads:

Around the world, black hand prints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil’s supply of human teeth grows dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real, she’s prone to disappearing on mysterious “errands”, she speaks many languages – not all of them human – and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.

When beautiful, haunted Akiva fixes fiery eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

I have a strange relationship with young adult novels. I really liked Magonia when a lot of other people didn’t, for example. In this particular case, I did not like Daughter of Smoke and Bone quite as much as the Goodreads consensus does. I really, truly was hoping to love it, as it was our book club pick this month. Star-crossed lovers, you say? I enjoyed that trope in These Broken Stars. Angels and demons are fun, too. But other than the world building, it just didn’t click with me in the way other books have. Perhaps it was because the main character’s personality seemed typical for the genre? Maybe it was the instant love between Akiva and Karou. Maybe it was the predictable plot. In any case, I just did not fall in love with Taylor’s story.

Let me start with what I did enjoy. This story was not what I expected it to be from the blurb on the back. The angels and demons are not what they first seem, and I quite liked that! I loved the descriptions of the various chimaera, of their different aspects, of their cultural myths and legends. While war between a slave race and a dominant race is nothing new, Taylor does manage to create an interesting conflict that will be quite the driving force in the later novels, I can only assume. Additionally, the use of teeth for wishes was grotesque and super cool at the same time, as is what the teeth are actually used for within the story.

However, as for the characters, I enjoyed the secondary characters over the main cast. Zuzana, Brimstone, Issa, even Razgut… I felt that they were all so much more more realistic than Akiva and Karou are. Karou reminded me of that comic describing young adult main characters being good at everything and a vampire to boot. (Of course, she isn’t a vampire, but I digress.) She’s talented at drawing, combat, has chimaera for a family… She’s as special as it gets. While it didn’t make me dislike her, it still felt too unbelievable even given the explanation. I think it may be because I prefer to see that growth during the course of the novel, rather than being given a character that’s already good at everything. Her only downsides seemed to be that she felt empty and acted as expected for her age, and I suppose that would be what teens would relate to and is, of course, understandable. Even so, I feel like more flaws or weaknesses would make her feel more “human”.

As for the romance… It was instant and frustrating, and the part that really made me want to put this novel down. While I thought it was definitely cute at times, there needed to be more development, even with the excuse given later on as to why they are so drawn to each other. There was just too much, too fast to begin to be believable, especially with the circumstances in which they first meet in the story. The romance fires sparks within a day, and I find that rather ridiculous. Instant lust, sure. That would make sense. Since it is termed as love in the story, however, I can’t help but shake my head.

With all of the above, as well as a jarring story structure (see: last fourth of the book switching gears dramatically), I can’t give this novel more than three stars. While I am curious to read the other two books in the series because of how the book ends, I am hesitant. I don’t really ship the romance as hard as I would like to, and the story really just isn’t gripping me the way it should to read it all. In one word, it was unbelievable. And that’s a weird word to use for a fantasy novel.

Con Report: ICFA 38 (2017)

Hello, all! We’re back from ICFA 38, and still recovering. I thought I’d just give y’all a quick overview of how the con went while it’s all still relatively fresh in my mind.

We arrived Wednesday of last week after a very long day. My flight left Austin at 5:35 AM, and Shannon’s flight left even earlier. I had an empty seat next me on both my flights, so that was pretty great. I also got to read a lot of A Closed and Common Orbit, which I really enjoyed, so the travel overall was pretty great (besides having to get up so early…).

In the evening, we signed in, checked out the free table, and attended the opening ceremonies, then went back to our rooms to rest and plan out which panels we would go to for the rest of the week. I saw a name I was not expecting for one panel on Thursday, and got rather excited. More on this later.

Thursday morning, I was up bright and early and went down to work out. The hotel had a really nice workout room, and after, we hit up the cafe in the hotel for breakfast. I wandered off to some very interesting panels. The first one I went to had one presenter who talked about a novel where everyone is an amputee, and one of the amputees kills all of the other amputees. One of the other presenters rewrote her paper at 4 AM that morning and ended up talking about problematic themes in paranormal romance novels (Read: paranormal erotica). Like I said, it was… Interesting.

After a quick lunch, Shannon presented at the first panel in the afternoon. Despite a relatively small crowd, I thought the presentation went really well.

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Shannon was exhausted after this, quite understandably, so I went off to my next panel alone, with some trepidation. This was the panel I was excited about, if the name I read was the correct name, and if it was who I hoped it was. The subject of the panel was defining “epic fantasy”, which I already knew was going to be a fairly futile endeavor, because everyone has their own opinions on what defines genres, but the discussion was still lively.

And the person I was wondering about, the person on the program who I wasn’t expecting to be at the con at all, showed up. He was who I thought he was.

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On the left there is some dude named Brian Staveley. He’s one of my top 5 favorite authors, and the only one I hadn’t met yet. (I finally got to see V. E. Schwab in Austin at the beginning of March! Woo!) So, uh… Understandably, I was a little excited.

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I was even more excited when I went up to talk to him after the panel and he recognized me. Me. A fan he had never met in person, and he knew who I was. It was surreally awesome, and definitely made my week.

I think there was dinner and stuff after. I can’t quite remember, because I kinda had my head in the clouds for the rest of the evening.

Friday started off with more exercise. Seriously, it feels so good to work out early in the morning. You’re more awake and active for the rest of the day, and I love it.

The first event was a Steven Erikson signing. (I know I went to other signings at various times, but I had the most books for Erikson, so that’s the one I remember.) I had started the first Malazan book at the beginning of this year before the train that was Oathbringer hit me, and I was really enjoying it, and expect to love the series as a whole, so I was excited to meet Erikson and have him sign my copies of his series.

There was a free luncheon on Friday, where they gave out some really cool free books. Tip for if you ever go to ICFA: Go to all the luncheons and dinners. It’s worth it for the food. It’s also worth it for the books. Combined, it’s *really* worth it, and I wish I’d known ahead of time to sign up for the Thursday luncheon as well.

I know I went to several panels on Harry Potter, Lord of the Rings, and other such literary things, but they’re all kind of blending together by now. A lot of the papers presented were really interesting, so it was definitely worth going, though!

In the afternoon, I attended a reading with Nick Mamatas, John Chu, and Fran Wilde. All of the readings were excellent. Chu read part of a short story he’ll have in an upcoming magazine, and Wilde read all of her own story. I was really glad I went, and kinda wish I’d made time to see some of the other readings earlier in the week.

That night was the flash play section. It was unbelievably fun, and if you go to ICFA, you have to go to the flash plays. It should be required for everyone. I haven’t laughed that much in a long time. The best part is that the authors themselves are also the actors, so I got to watch Max Gladstone pretend to be drunk, declare himself a sensualist, and then get into a mock sword fight and accidentally break his sword.

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Staveley sat next to me during the play, and after, invited me to come out to the balcony to hang out and chat with people. He introduced me to several people, including his editor, Marco Palmieri. (Who also sorta knew who I was from Twitter!) I really appreciated the introductions, and got a bit outside of my comfort zone, talking to new people and stuff. It was a good experience.

Saturday started off with a very special signing. Staveley was there, signing none other than Skullsworn, his next book. His editor had them printed 2 weeks earlier than normal just so he would have copies for ICFA, and I was unbelievably excited to be able to pick up a copy early, and have Staveley AND Palmieri sign it.

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(Yes, there is actually a picture with me prominently in it. That’s how excited I was.)

I know I went to several other interesting panels that day, but the only one that sticks in my mind was the last one–a humor panel featuring Max Gladstone and Andy Duncan. It was, well, humorous.

The day ended with one final dinner, with more free books (eep), and then a party out on the terrace, where I got to talk to several more people, make more connections, and even talk to Staveley a bit more. We got him to agree to do an interview for our blog when Skullsworn is released, so look for that in a few weeks!

Travelling home was… A chore. We visited the free table every day, the bookseller’s room at least twice, and picked up books at the luncheon and the dinner. We had to transport all of this back to Austin.

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Yes, the boxes are also full of books. Mostly the books we brought with us to get signed.

I ended up checking a 50.0 pound bag and another that was around 40 lbs. I likely carried another 40-50 pounds around the airport, between my backpack and the overloaded tote bag I was using. Shannon was also carrying a bag of books, and put as many as she could fit into her carry-on luggage.

All of the books (and people) made it home safely, but I think that next time, I’m going to go ahead and ship back a box of books. Getting everything through the airport and home was backbreaking, and after a long weekend (I was up really late Friday and Saturday night forcing myself to be sociable), I would have liked a slightly easier trip home.

I did manage to read all of Skullsworn on the trip back (I finished Closed and Common Orbit sometime during the conference), and absolutely loved it. Having a good book to enthrall me on both legs of the journey made the travel seem so much shorter than it actually was.

All in all, ICFA was a great experience, and meeting Brian by surprise definitely made it exceed all of my expectations. My takeaways from the con would be this:

  • The panels are all pretty great, and don’t be afraid to try out some of the more interesting ones.
  • The readings are awesome too, especially if you go and watch authors who read with voices, and have any kind of acting background.
  • Go to all the luncheons and dinners. You’re not saving much money regardless because the restaurants around the hotel are so expensive, and you get really good food, plus free books, and it’s a great opportunity to network.
  • Don’t forget to check the free tables, and check them often. If you’re the kind of person who will pick up books on a whim, or has a long list of books you want, expect to bring a lot of books home, and likely need to ship some of them.
  • The flash plays are required.
  • Don’t be afraid to hang out with the cool people and talk to them. They weren’t at all afraid to talk to me. 🙂

I’m not sure if my schedule will allow me to go back next year, but I definitely enjoyed my trip this year. Thanks to everyone who put this conference together and made it such a memorable experience!

Traveling to ICFA 38

Hey all! Shannon and I are currently in Florida, at the International Association for the Fantastic in the Arts conference, ICFA 38! Shannon is presenting a paper tomorrow (Thursday), and has spent the last several weeks making sure it’s in great shape. I’m excited to hear her deliver it, it’s really well done. Because of all this, we’re really busy, and don’t have a full Wednesday post for y’all this week.

We will get you a full con report soon, and I can probably talk Shannon into posting her paper as well. I still owe you a WorldCon report for last year–that’s in the works, and will be out eventually. I’m reading a lot of books now that I’m done beta reading, and oh, it feels sooooo good. 🙂 More about those books later too, of course.

For now, here’s a picture of us WAY too early this morning, waiting for our flights out of Austin.

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ARC Review: The Bone Witch

Disclaimer: I received a copy of this novel from Netgalley in exchange for an honest review. This does not affect my thoughts, feelings, or anything of that nature regarding it. You have been advised.

The Bone Witch

From Goodreads:

Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.

Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

The cover of this book captivated me and was the original reason I chose to request the novel. It is beautifully dark, with purple hues and the skull right in the center, like a warning to anyone entering. Unfortunately, though the contents inside do oftentimes match the atmosphere given off by the cover, I found myself bored throughout the middle of the book. While there are parts that certainly make reading the middle worth it for the end, much of it felt easily skipped. The descriptions of daily life, while good in moderation, seem like the majority of the novel and cause it to drag. I wanted more action, more daeva fighting, but these were much smaller sections of the book than I had thought would be the case. The comparison to Memoirs of a Geisha is warranted with the descriptions of becoming an asha, but it is not nearly as captivating as Golden’s work.

In addition, the characters did not feel as well fleshed out as I would have liked. Many of them feel one-dimensional, or had character traits described but not shown nearly as much in their actions. While Tea was definitely rebellious and strong-willed, I had a hard time connecting to her even though she is the narrator of her own story. Oftentimes, she felt almost bland to me, even though she has the coolest magical skill set and could raise people from the dead. I had an easier time connecting to her protective, yet stoic older brother. And her love interests? Flat throughout the majority of the novel.

However, the strength of The Bone Witch falls in its worldbuilding. I loved the descriptions of the heartsglass, the drawing of the runes for the magic system, and the demonic daeva. While the countries fall on real-world examples to help flesh them out, they still feel alive from the information we are given about them and seeing their people populate the novel. There are even old myths and an age-old conflict that help make this world feel vibrant. I especially enjoyed how most of the countries did not have much in the way of Western influences, and how the asha are like fighting geisha. Even the description of the food veers away from fantasy norms. Chupeco does a wonderful job at making her world, while familiar in many ways, feel atypical in a Western fantasy dominated market.

Due to the middle of the novel’s slowness and the flat characters, even though the worldbuilding was strong I give The Bone Witch three out of five stars. While it does end on a cliffhanger of sorts, because I did not connect with Tea as much as I would have liked, I will not likely be reading the next book in the series. With characterization being so important to me, I wish she had as much life to her as the world around her does.

Comic Review: Monstress Vol 1

monstress

From Goodreads:

Set in an alternate matriarchal 1900’s Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.

Originally, I read the first issue of this comic back when it was released and when Marjorie Liu had a signing at our local comic book store. I was fascinated and couldn’t wait for more. It has been a little over a year since then, and I finally picked up the trade paperback to go through the first six issues simultaneously. I am truly glad I read it this way instead of issue to issue. While engrossing and beautiful, the story would have been much harder to appreciate had I read it monthly.

The comic follows Maika Halfwolf, who at the start of the first issue is seeking revenge for the death of her mother. She is both crass and combative, and I honestly had a hard time liking her. It is understandable as to why she is that way, however, due to her upbringing during the war and also having been a slave. She doesn’t take no for an answer, and even if she is indeed monstrous and unlikable, I can definitely respect her as a character.

The other characters, human, Arcanic, or otherwise, are all captivating in their own right. I loved reading about Ren and Kippa especially. Kippa, being a scared yet optimistic child regardless of what he goes through, and Ren, the trickster cat, work as great companions to Maika throughout the story. While the human villains feel truly evil, even they are full of surprises. Intrigue, betrayal, and ulterior motives are staples of Monstress, and nobody is truly as they seem. The humans are often inhuman, and the Arcanics are not the monsters the humans claim them to be.

One of my favorite aspects of this comic is the setting. The artwork gives off a very Egyptian atmosphere, with depictions of masks that resemble Anubis and the gratuitous use of the color gold. Their world is one of steampunk elements such as airships, and Lovecraftian Old Gods whose ghosts roam the world. While each element on its own may have been used time and again in the past, together they create an unique and stunning universe.

The plot itself, however, is one found in many comics. It is a story of revenge and a story where multiple factions are trying to track Maika down for what she holds. I can’t tell you how many comics I have read where people are chasing the main character as a main plot device. Even only considering the comic’s publisher, Image Comics, this is a common trope. Regardless, I still felt heavily absorbed in the story even if there are many recycled plot threads.

The depth of the worldbuilding in this work is rather grand as well, and this is why I felt it would be difficult to read each issue separately. I was dropped into the story without much guidance, and there was little info-dumping throughout save for the lessons given at the end of each issue. Those segments were incredibly helpful, and I would have been rather lost without them. It definitely takes the first few issues for things to begin to make sense overall.

Even with the formulaic plot, I loved Monstress. It is arresting, beautifully drawn, and full of fascinating characters. I also couldn’t help but love the cats too! I give this comic four out of five stars, and cannot wait to read more in the future.

Book Review: Magonia

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From Goodreads:

Aza Ray is drowning in thin air.

Since she was a baby, Aza has suffered from a mysterious lung disease that makes it ever harder for her to breathe, to speak—to live.

So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of her medication. But Aza doesn’t think this is a hallucination. She can hear someone on the ship calling her name.

Only her best friend, Jason, listens. Jason, who’s always been there. Jason, for whom she might have more-than-friendly feelings. But before Aza can consider that thrilling idea, something goes terribly wrong. Aza is lost to our world—and found, by another. Magonia.

Above the clouds, in a land of trading ships, Aza is not the weak and dying thing she was. In Magonia, she can breathe for the first time. Better, she has immense power—and as she navigates her new life, she discovers that war is coming. Magonia and Earth are on the cusp of a reckoning. And in Aza’s hands lies the fate of the whole of humanity—including the boy who loves her. Where do her loyalties lie?

I honestly was not sure if I would like this book in the beginning. It begins with stream of consciousness writing, with a slice of life focus. While fascinating and beautifully written in its own right, I could not help but feel that Aza Ray was a special snowflake. Nerdier than the rest of the class? Check. Only one friend who understands her, and is just as nerdy? Check. Nerdiness is almost to the point of being beyond belief? Check. A mysterious illness that not even doctors understand? Needless to say, I had a hard time initially with the novel. However, as I continued reading, these facets added to the fantastic and dream-like atmosphere of the story. While we see a typical YA heroine with special powers and coming to terms with her destiny, the world building and mythos make up for these tropes and others throughout the story.

Maybe I have not read enough, but I have never read something quite like this novel. Ships in the sky? Sure, I’ve seen that plenty of times. Birds that roost in your lungs to amplify your singing voice, however? That as well as plenty of other facets, from the Magonian race to the Rostrae, were unique and refreshing. I fell in love with this world, even if there were plot holes abound and a lack of believable characters.

Even if they were unbelievable, however, I still could not help but empathize with them all. They all had clear goals, clear motivations, and were never black and white. It was also nice to see Aza and Jason’s parents play such a strong role in the story as well. I could not help but root for everyone, cry with them, and laugh with them, especially with how strong the audiobook performance was. Even once I had to turn in the audiobook and read the physical book, their voices stayed with me.

Although there was a romance triangle, it made sense within the context of the novel and did not bother me as much as they normally tend to do. Jason and Aza together, in particular, were adorable, and I could not get enough of them. From the alligator costume in their beginning years to watching giant squid together, the entire time I wanted to both hug them and push them together at every moment.

Factoring in the improbable characters and plot holes (seriously, Jason, using the dark web as an excuse for all the shenanigans you manage to get up to??), I give this novel four out of five stars for wonderful world building, emotional and poetic writing, and for making me cry on the bus home of all places. I will definitely be giving the second book a try, as Aza Ray’s story will stick with me for a long time.  Thank you, Maria Dahvana Headley, for writing such a poignant and amazing novel.

Visual Novel Review: Planetarian: The Reverie of a Little Planet

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From Steam:

It is thirty years after the failure of the Space Colonization Program.
Humanity is nearly extinct. A perpetual and deadly Rain falls on the Earth.
Men known as “Junkers” plunder goods and artifacts from the ruins of civilization.
One such Junker sneaks alone into the most dangerous of all ruins — a “Sarcophagus City”.
In the center of this dead city, he discovers a pre-War planetarium.
And as he enters he is greeted by Hoshino Yumemi, a companion robot.
Without a single shred of doubt, she assumes he is the first customer she’s had in 30 years.
She attempts to show him the stars at once, but the planetarium projector is broken.
Unable to make heads or tails of her conversation, he ends up agreeing to try and repair the projector …

For those unfamiliar with visual novels, and kinetic novels in particular, before I get into Planetarian’s review I will give a short explanation. Visual novels essentially are compromised of text, visuals, and music. Often there are choices to be made that will feed you into alternate endings and paths, making the experience one that is worth repeating, such as a Choose Your Own Adventure novel. The amount of interaction can range from a “kinetic novel”, which has no choices, to “adventure games”, which contain more gameplay elements. While there are many that have been written in Japan, the amount that have been translated into English officially is much smaller, though growing. There are also many fan translation patches that you can get if you have Japanese copies of certain games, so that is an option that exists.

To warn you, however, many have eroge content, meaning that there often is 18+ scenes added in, which I will warn you about if I review one of that nature. Additionally, I will let you know if there is an official English version available or if I played a patched in fan translation.

Planetarian: The Reverie of a Little Planet is an all-ages kinetic novel developed by Key that was originally released in 2004, and has been released in English on Steam. The story follows a Junker who scavenges a post-apocalyptic world for anything useful he can find. The unnamed protagonist, on one of his excursions to a sarcophagus city, finds himself in a planetarium with a female android named Hoshino Yumemi that has been waiting for customers for thirty years. Much of the plot centers around this planetarium and its sole occupant, who is unaware of the nuclear and biological warfare that encompassed the planet a generation prior.

First of all, this visual novel broke my heart. I can’t really get into why without spoiling the whole story, but do go in knowing that you’ll probably cry. I knew this beforehand from the Steam reviews, and still I was a sniveling wreck.  This means that the novel is easy to connect to and empathize with the characters, which is great in the four hours it takes to play the game.

Over the course of the story, there are only two characters that are presented, and in the setting, that is honestly just enough. Seeing the interactions between the Junker and Yumemi is heartwarming and simultaneously heartbreaking, as the Junker’s cynicism and Yumemi’s optimism often clash. Yumemi believes that customers will eventually come back to the planetarium, while the Junker time and time again tries to explain that there is nothing left. It is a contrast between the optimistic belief in humans and the reality that humanity has wrought onto itself.

The aspect I loved the most about this story is the focus on the stars. With the Rain pummeling down on the world constantly, the sky has long been obscured from view. The stars represent hope and belief in humanity’s possibility to heal.

While relatively short and predictable in many aspects, the novel packs a punch. There’s just enough exposition to color the story in the beginning, discussions on humanity’s path to the stars, and character growth from both parties.  Even the Junker’s harsh manner becomes manageable by the end.  The artwork, while relatively simple in comparison to modern day visual novels, is still just enough to paint an accompanying picture to the text. The music, particularly “Gentle Jena”, does a fantastic job at tugging at the heartstrings and making one want to look to the night sky.

Overall, I give this visual novel four out of five twinkling stars in the sky, mainly because it is rather predictable. Even so, I feel like it will stay with me for a long time, and I look forward to trying the anime adaptation soon.

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